Loekie

Didn't Mark Gatiss say as much in that BTS video about the ILY scene? I think Mark Gatiss prefers Molly for Sherlock and Moffat prefers Adler for Sherlock.

Euros could have reacted like: this is not what I want. And then the solution. But she screamed: no Sherlock! Sherlock don't do that!!! Rather strange. I think she was liking Sherlock more and more. She even gave him time to take a rest after the confrontation with Molly.

I'm sorry, Loekie, which scene do you mean? I don't remember a scene where Sherlock is close to falling off a bridge. Do you mean when he and "Faith" were taking a walk? He wasn't about to fall, there, he was collapsing in pain from the effect of the drugs he was taking. But he wasn't in any danger of falling off. If he had been, I think "Faith" might have saved him ... because she still wanted to play her game with him. Did seeing his love for Molly change her mind about what she would do to Sherlock? I don't know, I think that's still a big question. Sherlock looked harmed but Faith said or did nothing. When Sherlock put a pistol on his head, Euros screamed: No Sherlock! Don't! Quite a difference.

Sherlock saved Molly and Molly saved Sherlock. Because after the love scene, Euros decided not to let Sherlock kill himself. Earlier, she didn't mind when Sherlock almost fell of the bridge. So she has changed, and the only reason can be that she saw the love between Sherlock and Molly, after that she wanted Sherlocks love too.

Excellent, thanks.

In the moment, it must have felt humiliating. I don't know about devastated after but I'd think it would change their friendship going forward. In real life when something like this happens, where one person admits to being in love to the object of that love and it's not reciprocated likewise, then usually that friendship ends (maybe not right away) because it's awkward for both and it's not like you can unhear the declaration. Basically at that point, both people in the friendship have to pick a lane and there's usually no going back once you choose. You do not know those songs with the phrase: say you love me, even though you do not mean it? She was becoming a real jitterbug and this was all she needed. Example: Tell me you love meIf you don't then lieOh lie to me True love - Coldplay

I just noticed that the vote can be changed! I changed it from 3/10 to 10/10.

Hoi hoi!

excuus

If there is something fans seem upset about with this episode it’s that there’s no resolving scene with Molly after that very effective devastating call to her while she’s in the kitchen. Did you consider doing one? Is it fair to leave her that like that? But that’s not how we leave her. People need to learn to face their televisions, we see her later on– We see her skipping into the room but– She gets over it! Surely at a certain point you have to figure out that after Sherlock escapes tells her, “I’m really sorry about that, it was a code, I thought your flat was about to blow up.” And she says, “Oh well that’s okay then, you bastard.” And then they go back to normal, that’s what people do. I can’t see why you’d have to play that out. She forgives him, of course, and our newly grown-up Sherlock is more careful with her feelings in the future. In the end of that scene, she’s a bit wounded by it all, but he’s absolutely devastated. He smashes up the coffin, he’s in pieces, he’s more upset than she is, and that’s a huge step in Sherlock’s development. The question is: Did Sherlock survive that scene? She probably had a drink and went and shagged someone, I dunno. Molly was fine. http://ew.com/tv/2017/01/16/sherlock-showrunner-season-4-finale/ Haha! Fantastic. It's not only about love, it's also about sex between Sherlock and Molly. They said to each other i love you but the way they did that! If at that moment they were close to each other, alone with each other, than the coffin would be not to pieces I think. You’ve said you originally had a completely different scene originally for that Molly sequence that you scrapped, what was it? It was a rather boring one in retrospect. It was clever — Molly was actually trapped inside the coffin and they had to solve a puzzle to get her out. But while it was a clever puzzle and we liked it, we were the only ones who liked it. It was just another puzzle and it wasn’t something Euros would be particularly interested in putting Sherlock through because she’s more interested in the emotional then why he’s clever. So we scrapped it and I’m glad we did because I rather like the replacement scene. http://ew.com/tv/2017/01/16/sherlock-showrunner-season-4-finale/ Interesting!

Moffat said that "sometimes the very very best thing you do is a last-minute improv. For instance, we very much love the Molly Hooper scene in the Final Problem, and that's the last thing we wrote, because nobody liked the original scene, and everyone thought it was rubbish, apart from me and Mark, who said it was wonderful. But eventually we gave in and wrote a different scene. I think it's the best thing in it, and that was the eleventh hour." http://www.tcs.cam.ac.uk/culture/0036527-moffat-and-gatiss-on-sherlock-representation-and-box-ticking.html The geniuses at their best.

But she was wrong. Sherlock earlier was right about a hallucinating of John.

Maybe Euros was one second affected by the passion without violence between Sherlock and Molly. Because in her mind everything is connected with violence, we saw earlier when she touched the hands of Sherlock and what happened next.

Yes, a fascination with "all those countless complicated emotions". It took a moment for her to process.

Does Euros want sex with Sherlock?